The Square
The square form is solid and firm, but tends to be monotonous. Square
windows, fireplaces and wall spaces, as well as square rooms in general
and pictures, are usually uninteresting, and this applies to cubes as
well. The big cubical chair, for instance, is something to be avoided.
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Living Room Drawing Room And Library
We now return to the rooms where decoration is the rule. While always remembering that connecting rooms must harmonize with one another in color, individual colors may always be appropriately chosen for certain rooms, because they express the domina... Location Of The House
Besides the difference in treatment demanded by different use of rooms--the character of the decoration of the whole house will be influenced by its situation. A house in the country or a house in town; a house by the sea-shore or a house situated... Nursery And Play Room
These children's rooms should always give out a gay and cheerful atmosphere. To obtain this wall papers with colorful friezes with characters from fairy tale, Mother Goose or Noah's Ark, may be used above a simple wainscot. Painted walls with stenci... Oblong
The proportions of any room are best when they make a normal impression on the eye. The oblong is the best decorative art form, as a rule. It can be used in nearly all ornaments, in walls, doors and windows, ceilings and floors, in rugs and furnitur... Proportion
All parts of a furnished room must help express one ideal of balance. The realization of this ideal is proportion. A horizontal room calls for horizontal furniture and lines, a vertical room for vertical ones. Every important decorative featu... Some Hints Anent Period Furniture
Period furniture is a means to a decorative end. It is a part of the decoration of a room, and must be adapted to its lines and proportions. Halls for instance, call for tall chairs and cabinets and long and narrow wall tables. Pictures and bric-a... The Dining Room And Work Rooms
The dining room, with which we were so directly concerned in the preceding portion of this book, offers a natural point of departure for considering the individual rooms of the house with regard to decoration. First, as to a dominant dining ... The Diningroom
The dining-room should be furnished with a view to convenience, richness, and comfort. Choose deep, rich grounds for the walls—bronze-maroon, black, Pompeiian red, and deep olive—and the designs and traceries in old gold, olive or moss-green, with ... The Hall
The hall being the index to the whole house, due care should therefore be given to its furnishing. Light colors and gilding should be avoided. The wall and ceiling decorations now mostly used are in dark, rich colors, shaded in maroons or deep reds. Pl... The Kitchen
It is a remark too often made that this or that “is good enough for a servant.” If all knew that unpleasant surroundings made unpleasant servants and ill-prepared meals, we think more pains would be taken to have pleasant and comfortable kitchens. ... The Law Of Appropriateness
I have laid much stress upon the value of colour in interior decoration, but to complete the beauty of the home something more than happy choice of tints is required. It needs careful and educated selection of furniture and fittings, and money eno... The Library
The walls of the library should be hung with rich, dark colors, the latest style in wall paper being a black ground with old gold and olive-green designs. The carpet comes in Pompeiian red, with moss-green and peacock-blue patterns. Statuary and the... The Sitting-room
The sitting or everyday room should be the brightest and most attractive room in the house. Its beauty of decoration should not be so much in the richness and variety of material as in its comfort, simplicity, and the harmony of its tints—the main fe... The Square
The square form is solid and firm, but tends to be monotonous. Square windows, fireplaces and wall spaces, as well as square rooms in general and pictures, are usually uninteresting, and this applies to cubes as well. The big cubical chair, for inst... The Triangle
The triangular form (in mantel clocks, lampshades, highboys, bookcase foundations, and sometimes where it appears in wall paper or Turcoman rug designs) expresses movement in repose admirably, and has real decorative values. ... Vertical Lines
Vertical lines express aspiration and disquietude; diagonal lines, action. In wall paper designs and rug patterns the diagonal line is not always excellent. Diagonal lines are sometimes effective in rugs; but the feeling of energetic movement they ... Walls Ceilings And Floors
The true principle of wall treatment is to make the boundary stand for colour and beauty, and not alone for division of space. As a rule, the colour treatment of a house interior must begin with the walls, and it is fortunate if these are blank ... Working Rooms Versus Living Rooms
Before passing to the other rooms of the house, we will pause to consider a more purely utilitarian group. The Kitchen.--These rooms which are strictly utilitarian, more or less escape decorative control. The kitchen, aside from the elements of p...