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All Thoughts on Materials Page 2
Of Dyeing As An Art
Dyeing is a very ancient art; from the earliest times of the ancient civilisations till within about forty years ago there had been no essential change in it, and not much change of any kind. Up to the time of the discovery of the process of Pruss...
Of Embroidery
The technicalities of Embroidery are very simple and its tools few--practically consisting of a needle, and nothing else. The work can be wrought loose in the hand, or stretched in a frame, which latter mode is often advisable, always when smooth ...
Of Lace
Lace is a term freely used at the present time to describe various sorts of open ornament in thread work, the successful effect of which depends very much upon the contrasting of more or less closely-textured forms with grounds or intervening spac...
Of Materials
Almost every fabric that is good of its kind is suitable for a ground for needlework, and any thread of silk, linen, cotton, or wool, is suitable for laying on a web, with the purpose of decorating it. Yet these materials should not be wedded indi...
Of Modern Embroidery
If we wish to arrive at a true estimate of the value of modern embroidery, we must examine the work being sold in the fancy-work shops, illustrated in ladies' newspapers or embroidered in the drawing-rooms of to-day, and consider in what respect i...
Of Mural Painting
There seems no precise reason why the subject of this note should differ much from that of Mr. Crane's article on "Decorative Painting" (pp. 39-51). "Mural Painting" need not, as such, consist of any one sort of painting more than another. "Decora...
Of Sgraffito Work
The Italian words Graffiato, Sgraffiato, or Sgraffito, mean "Scratched," and scratched work is the oldest form of graphic expression and surface decoration used by man. The term Sgraffito is, however, specially used to denote decoration scratch...
Of Stucco And Gesso
Few things are more disheartening to the pursuer of plastic art than finding that, when he has carried his own labour to a certain point, he has to entrust it to another in order to render it permanent and useful. If he models in clay and wishes i...
Of The Room And Furniture
The transient tenure that most of us have in our dwellings, and the absorbing nature of the struggle that most of us have to make to win the necessary provisions of life, prevent our encouraging the manufacture of well-wrought furniture. We mea...
Of Wall Papers
While the tradition and practice of mural painting as applied to interior walls and ceilings of houses still linger in Italy, in the form of often skilful if not always tasteful tempera work, in more western countries, like England, France, and Am...
Printing
Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition in being comparatively modern. For although the Chinese took impressions from wood blocks engra...
Stained Glass
In these days there is a tendency to judge the merits of stained glass from the standpoint of the archaeologist. It is good or bad in so far as it is directly imitative of work of the fourteenth or fifteenth century. The art had reached to a surpr...
Stitches And Mechanism
As a guiding classification of methods of embroidery considered from the technical point of view, I have set down the following heads:-- (a) Embroidery of materials in frames. (b) Embroidery of materials held in the hand. (c) Po...
Stone And Wood Carving
The crafts of the stone and wood carver may fairly be taken in review at the same time, although they differ in themselves. It is a misfortune that there should be so great a gulf as there is between the craftsman who is called, and considers hi...
Table Glass
Few materials lend themselves more readily to the skill of the craftsman than glass. The fluid or viscous condition of the "metal" as it comes from the "pot," the way in which it is shaped by the breath of the craftsman, and by his skill in making...
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